Birth Date: March 23rd, 1976 - Fountain Valley, California, USA
With green eyes, clear skin, and a head of hair that any pre-Raphaelite would envy, Keri Russell became one of the most recognizable young actresses of the late 1990s. Propelled to fame by her title role on the WB Network's Felicity, Russell quickly endeared herself to critics and viewers with her searching and honest portrayal of a college freshman facing life on her own for the first time.
Born Keri Lynn Russell on March 23, 1976 in Fountain Valley, California, Russell studied dancing from an early age. She later found that her love of dancing was good preparation for acting, insofar as both disciplines demanded self-discipline and an adherence to timing and choreography. Dancing led to a modeling stint, which in turn led to a trip to Los Angeles, where in 1991 she was cast as herself on the newly-revived Mickey Mouse Club. Russell stayed with the show until 1993, during which time she lived at Disney World, where the show was taped.
During her time on the Mickey Mouse Club, Russell landed her first film role in 1992's Honey, I Blew Up the Kid. After her TV commitment ended, Russell moved to Los Angeles and in 1996 was cast in Aaron Spelling's Malibu Shores. In the same year, she did more film work in the little-seen The Babysitter's Seduction, and she continued her film work in 1997 with the comedy Eight Days a Week. In 1998, with her career flagging, Russell got her big break playing confused college freshman Felicity Porter, a part she nearly wasn't considered for because the show's creators felt she was too beautiful to have the problems her character did.
Suddenly the subject of countless interviews and magazine covers, Russell found herself as one of television's hottest commodities, especially in the wake of the Golden Globe she netted for her portrayal of Felicity. Unsurprisingly, this new status led to a new range of opportunities, including her role in The Curve (1998), a thriller which had its premiere at Sundance and co-starred Matthew Lillard. ~ Rebecca Flint Marx
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